Coming
Exhibitions

Matthias Kanter

paintings 2015 - 2018

19.01. - 02.03.2019

Friday 18.01.2019, 18:00-21:00


The gallery has been working with Matthias Kanter since its founding in 2006. I know of no other painter who deals with the effect of colour as intensely as he does. In his preoccupation with the history of painting, he focusses on colour as the carrier of meaning and as the space-forming element in a pictorial space. The investigation of subtle colour tones and colour as the sole transporter of emotions has become his central theme. His works – as reduced and simple as they may seem at first sight – request an emotional openness from the viewer, as well as a precise sense for the individual colour soloists, that once together result in a concert. Just like in any successful musical composition, the individual colours complement each other, create counterpoints, respond to each other, and only when once together do they compose a piece of work.
Kanter says: “Twenty years ago, I undertook a kind of ‘manifesto’ of how I imagine my painting to be. This was not yet visible to me and many coordinates were determined by what inspired me in the art of others or rather what was important to me at the time – certainly with the idea of necessary repair. It is fascinating that more and more of these wishes have been brought into visibility over the years. Despite all experiences, success remains more of a gift than a guaranteed achievement. However, at least a trust grows over time that creates the conditions under which a painting can emerge on a regular basis. I am interested in painting as an experience, those moments of clarity when it is possible to transform paint into a “being” – no longer pigment and imagination, but the presence of “something” that the memory recognises. I have not found anything that appeals to me more in the long term than this lonely work in the studio. Every success is like a frozen moment of happiness that unfolds its effectiveness. Today, I can say that this is just about how the painting that I felt was lacking could look like, yet it still feels like just after the start, like the dawn of a new beginning.”